Coming soon to a theatre near you: The Post Modern Life of My Aunt
An illustrative poster was seen encased behind the commercial box when I was walking by the corridor of Dongchang Station MRT this afternoon. Apparently, it is the timely propaganda of the movie premiere. Before this when reading news about the tightly controlled shooting, the paparazzi was staking out and attempting to capture a glimpse of the star arriving in town for the closed door shooting.
At the diminished central focus with his oh-so-fake moustache incidentally or seemingly simulating Groucho Marx, the all too unnatural, quirky, toothy grin is the internationally famed former dark glass hit men, former bald-headed Crouching Tiger, and former Shanghai Bund gangster. To the left is the very talented actress of Mongolian descent, Siqin Gaowa; her strings of film biography noted to be decorated with those forgettable roles. What a waste on her natural talent! On the right is the actress with her rather animated bulging eyes, and her exaggerated acting skill only suitable for those discarded flower vases kept behind the long forgotten, dust locked cupboard found in the typical average Shanghai homes.
Hailed from Hong Kong, the film director of The Post Modern Life of My Aunt is Xu Anhua. She has been making movies for years now and she can be real talented in her own credits. However, over these years there are not too many of her works that have actually wowed the market as well as the film industry. Indeed, she did produce a number of impressive artistic qualities reflecting specific social segments or genre issues and that substantially depict universal humanism.
Jeremy
March 11th, 2007
Shanghai upon the Sea
An illustrative poster was seen encased behind the commercial box when I was walking by the corridor of Dongchang Station MRT this afternoon. Apparently, it is the timely propaganda of the movie premiere. Before this when reading news about the tightly controlled shooting, the paparazzi was staking out and attempting to capture a glimpse of the star arriving in town for the closed door shooting.
At the diminished central focus with his oh-so-fake moustache incidentally or seemingly simulating Groucho Marx, the all too unnatural, quirky, toothy grin is the internationally famed former dark glass hit men, former bald-headed Crouching Tiger, and former Shanghai Bund gangster. To the left is the very talented actress of Mongolian descent, Siqin Gaowa; her strings of film biography noted to be decorated with those forgettable roles. What a waste on her natural talent! On the right is the actress with her rather animated bulging eyes, and her exaggerated acting skill only suitable for those discarded flower vases kept behind the long forgotten, dust locked cupboard found in the typical average Shanghai homes.
Hailed from Hong Kong, the film director of The Post Modern Life of My Aunt is Xu Anhua. She has been making movies for years now and she can be real talented in her own credits. However, over these years there are not too many of her works that have actually wowed the market as well as the film industry. Indeed, she did produce a number of impressive artistic qualities reflecting specific social segments or genre issues and that substantially depict universal humanism.
Jeremy
March 11th, 2007
Shanghai upon the Sea
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